Avengers Endgame done, Spider-Man Far From Home theory says Tony Stark made the spider that bit Peter Parker

A new fan theory says that it will be revealed in the upcoming Marvel movie Spider-Man: Far From Home that Tony Stark created the spider that bit a teenage Peter Parker and gave him his superpowers. Tony died at the end of Avengers: Endgame, and shared a fatherly relationship with Peter in the Marvel Cinematic Universe.

If this theory were to be proven true, it would give new meaning to their father-son relationship. It has previously been reported that Far From Home, a sequel to 2017’s Spider-Man: Homecoming, will reveal a major secret about Tony. A trailer revealed that Tony has left behind a secret lab for Peter.

The theory, posted on Reddit, suggests that Tony worked with Norman Osborne to create the spider that bit Peter, which is why he knew his identity in Captain America: Civil War, and shared such a close bond with him. This will also allow Marvel to introduce Norman into the MCU. A fan had previously ‘leaked’ that Marvel is considering making Norman Osborne (who goes on to become the Green Goblin) a major new villain in the overarching story of the MCU.

Another theory suggests that Tony was behind Uncle Ben’s death, which happens before we’re introduced to this version of Peter in the films. A version of this theory previously stated suggests that Uncle Ben died during the Battle of New York, which could indirectly mean that Tony was responsible for it.

Far From Home is directed by Jon Watts, and stars Samuel L Jackson, Cobie Smulders and Jake Gyllenhaal in supporting roles, in addition to Tom Holland as Peter. The embargo on reviews will lift on Wednesday - two weeks ahead of release - which suggests that Marvel is positive about the quality of the film.

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Avengers Endgame to re-release with a deleted scene, new post-credit tribute to break Avatar’s all-time record

Avengers Endgame, the second biggest grosser of all time, may soon topple Avatar to become the number one earner of all time. The makers have decided to re-release the film with a deleted scene, a post-credit tribute and a few more surprises, which are expected to pull the dedicated Marvel fans to the theatres again.

According to a report in Screen Rant, producer Kevin Feige has said, “Not an extended cut, but there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie.” He added, “If you stay and watch the movie, after the credits, there’ll be a deleted scene, a lithe tribute, and a few surprises.” However, an official confirmation from Disney is still awaited. The new print will reportedly release around June 28.

A CNBC report claims Avengers: Endgame has already collected a total of $ 2.74 billion globally, a few millions away from the record holder Avatar that stands at a total of $2.78 billion.

The film may pay tribute to Robert Downey Jr’s character Tony Stark, better known as Iron Man, in the new release. He sacrificed his life while snapping with the gauntlet in Avengers: Endgame that marked the end of the Infinity saga.

Also read: Avengers Endgame vs Avatar: Marvel epic will fall short of James Cameron’s film, as race for number 1 ends in photo-finish

Tom Holland who played Spider-Man in the film is now gearing up for his new release, Far From Home. Talking about Iron Man’s death in the film, he told PTI, “We had to say goodbye to him. And this film is kind of how we deal with a life without our hero, IronMan. Parker had a very special relationship with him. And the film is all about how he deals with it and how he kind of comes into his own.” The actor said the film is about Parker’s struggle to move on from Stark’s death and the responsibilities which comes with being an Avenger.

Robert Downey Jr’s daughter in Avengers Endgame is getting bullied online, shares video plea for fans

Lexi Rabe, the little girl who played Tony Stark’s daughter Morgan on Avengers: Endgamehas shared a video on Instagram saying that she is getting bullied online. Lexi rose to fame with the film and her now iconic line ‘I love you 3000.’

In the video, Lexi is seen apologising to her fans if she hurt them in any way and asking them not to bully her and her family. Her mother Jessica also shared a long caption with the video, mentioning how Lexi is still a child who may or may not always be eager to give autographs or entertain fans.

“I hate that we even have to post this. But yet again Lexi’s getting bullied. And this kind of thing makes it celebrities never want to leave the house never want to meet people. Please keep your opinions to yourself so Lexi can grow up in the free world. She’s a normal human being and she’s a child. We give her a talking and we give her timeouts but we don’t do that in public. Sometimes were rushing from place to place stressed like everyone else to get to set on time or work or whatever and we seem a little grumpy. I’m sorry if you see us this way but that’s life! If you ask us for an autograph we always almost say yes. If we happen to be having a bad day that might put us right on the right!,” the post read.

What Went Behind Avengers: Endgame Final Battle, Iron Man Scenes

At a Q&A following an Avengers: Endgame screening in Washington D.C. on Wednesday, Feige, and the Russo brothers addressed what went behind the final battle, which involved nearly every Marvelsuperhero we've known, except those that died in Infinity War and Endgame without the use of Infinity Stones. All quotes via /Film, which reported on it first.

Kevin Feige:

“It was hard. It was very emotional, as you can imagine. To be able to work with these characters again after what's happened was a very cathartic experience for us as filmmakers. When we set out to shoot these movies, we scheduled these movies back-to-back, which is a very unusual way to shoot movies. So we shot Infinity War, we literally went down for two weeks, and then we started shooting Endgame. The proper time between these movies would have been more than a year, if you're doing it the normal way. So it was already a challenging way to approach it.”

Russo: “I'll be honest, it was probably the hardest thing we did in all these films. The end of January 2018, after a year of shooting, we had to stop the third act of Endgame because we had to get Infinity War finished to release the movie [in April 2018]. So we came back in September [2018], in the [autumn], and did two months of work on that ending. That third act was really down to the wire. Some of those last shots, actually the last shot that got delivered, was ‘I am Iron Man.' That was the last shot that came in from VFX. Interestingly enough, the last shot that we shot ever for Marvel, as directors, was ‘I am Iron Man.' And that was done in January [2019], I think, when we did our traditional pick-ups.”

Why Tony Stark Is The Best Thing About The Marvel Cinematic Universe

The Marvel Cinematic Universe that 11-year, 22-movie mega-franchise that shocked theworld with the success of Iron Man and broke every major box office record for an opening weekend with Avengers: Endgame - was at its best when it focused on Tony Stark (Robert Downey Jr.) and the ways in which he has changed. Properly understood, the whole series is about Stark's evolution, and Endgame is a tacit admission that he was right all along.

When we first meet Stark, he's a callow playboy and arms dealer, more worried about who will be occupying the stripper pole on his private jet than anything else. His maturation through the years has been by far the most compelling aspect of the various Marvel movies; it is through Iron Man's growth that we see the closest thing to an ideological debate in the decade-long stream of "content" churned out by Disney.

First things first:

Downey deserves every penny of the tens-to-hundreds of millions of dollars that he's earned for portraying Tony Stark. The saucy insouciance with which he imbued the character gave the MCU writ large a sort of swagger, projecting an at-the-time-unearned confidence that the franchise and its handlers knew what they were doing. Downey was never going to win an Oscar for bringing the genius-billionaire-playboy-philanthropist to life - as Don Draper might put it, "That's what the money is for!" - but his career resurgence is entirely deserved.

I once half-joked that Marvel should sign Downey to a billion-dollar contract and lock him up for 20 years. But it's better that Marvel's overlords ended his arc with Endgame, allowing the character to complete his evolution and move us with his passing.

Iron Man's development consisted of two parts. The first concerns his efforts to "privatize world peace," as he famously brags about doing in Iron Man 2. In the films that follow, Stark has to grapple with his identity as world savior. He accepts that he may have to sacrifice himself for the good of humanity in Avengers, before having a bit of a mental breakdown in Iron Man 3 and Avengers: Age of Ultron about what such sacrifice entails.

Following the mistakes made in Ultron - his AI-empowered robot having almost destroyed humanity - Stark comes to understand that the world of superheroes cannot be privatized, cannot exist outside the control of any government or elected body. This realization, combined with Stark's struggling to come to grips with the deaths of his parents, is why Captain America: Civil War is actually arguably the best Iron Man movie.

But there's a second aspect to Stark's growth that has been just as interesting and just as moving: his acceptance of fatherhood and his desire to contribute to the next generation. A key plot point in Endgame is Tony's refusal to do anything that would endanger the existence of his daughter, born in the five years between Infinity War and the main events of Endgame. But it's Tony Stark's cameo in Spider-Man: Homecoming, which built off of his introduction of the webslinger to the MCU in Captain America: Civil War, that really drives home the meaning of Tony's paternal instincts.

Peter Parker (Tom Holland) needs a father figure to help him figure out how to use his powers; Tony Stark needs a surrogate son to imagine both what it might be like to be a parent and to explore what it might mean to pass on some of his responsibility. That relationship-building pays off in Infinity War as Tony has to say goodbye to Peter following Thanos' devastating snap, and then again in Endgame, after Peter must do the same as Tony is dying after wielding the Infinity Gauntlet.

Perhaps it's just a function of fatherhood changing how movies play for me, but everything with Stark and his kids - Peter and his little girl both - made me tear up. His growth as a man is mirrored in the growth he inspired in Captain America (Chris Evans), who decides after the battle to settle down in the past with Peggy Carter (Hayley Atwell) and enjoy some of that life Tony's always talking about.

And the Marvel Cinematic Universe hasn't just made Tony more sympathetic as a man. The movies have calibrated their stakes and intellectual arguments to tilt the argument about pre-emptive superheroing in the direction he's advocated. Other franchises could take a lesson from the combination of Downey's charisma and the MCU's long-arc storytelling: After all the caterwauling about Murder Batman, it's interesting that no one has complained Stark gave your Friendly Neighborhood Spider-Man a suit with an "instant kill" option, that no one seems to be upset Stark killed millions of living creatures with the snap of his fingers. We've spent enough time with him to accept his assessment of what's at stake.

It's clearer than ever to reasonable people everywhere that Tony Stark was right: We did need a suit of armor around the world, after all. What's less clear is where the MCU goes from here - or who in its stable has the charisma and the charm to fill Downey's shoes.